ARTICLES/CHAPTERS:

• 2026. “Keeping the Music Alive: The Arkestra’s Work of Memory” (with Darol Olu Kae), In Leave It for the Children: A Visual History of the Pan Afrikan Peoples Arkestra, edited by Samuel Lamontagne and Darol Olu Kae, 24-29. Los Angeles: Angel City Press.

• 2026. “Larry Clark on Jazz, Black Cinema, and Community” (with Darol Olu Kae), In Leave It for the Children: A Visual History of the Pan Afrikan Peoples Arkestra, edited by Samuel Lamontagne and Darol Olu Kae, 178-189. Los Angeles: Angel City Press.

• 2026. “No Break Between: Jazz, Hip-Hop, and the Arkestra,” In Leave It for the Children: A Visual History of the Pan Afrikan Peoples Arkestra, edited by Samuel Lamontagne and Darol Olu Kae, 328-341. Los Angeles: Angel City Press.
  


• 2026. “World Tour Sessions: Global Hip Hop Culture” (With Chuck D, and H. Samy Alim), In In the Hour of Chaos: Art and Activism with Public Enemy’s Chuck D, edited by Chuck D, H. Samy Alim, Samuel Lamontagne, and Tabia Shawel, 163-194. Berkeley: UC Press.


• 2025. “Rap Radical Noir: Pour une histoire diasporique du hip-hop français,” Audimat 23: 45-74.


• 2025. “The Pan Afrikan Peoples Arkestra: Los Angeles Jazz Power,” Afrikadaa: Politics of Sound 17(2): 22-26.


• 2023. “Public Enemy, Public Scholarchip: Hiphopography and the Co-Production of Knowledge with Chuck D” (with H. Samy Alim and Tabia Shawel), In Global Hiphopography, edited by Quentin Williams and Jaspal Naveel Singh, 29-56. London: Palgrave Macmillan.
  
  
• 2023. “Contemporary Music Ecosystems’ Transformations: Live Music, the Gig Economy, and Social Changes,” Born to Be Alive: Contemporary Issues in Live Music Research - Special Issue of Ethnomusicology Review 24: 1-10.


• 2022. “Déterminisme technologique et pratiques musiciennes dans les musiques électroniques et hip-hop,” Volume! La revue des musiques populaires 19(1): 221-227.


• 2021. “France through Race: Beyond Colorblindness,” Ufahamu: A Journal of African Studies 42(2): 98-104.
  
  
• 2021. “Grand Paris and Electronic Dance Music: Nightlife Policies, Neoliberal Urban Planning, and the Gentrification of the Banlieues,” Dancecult: Journal of Electronic Dance Music Culture 13(1): 129-142.


• 2020. “‘Banlieue is the new cool’: Grand Paris et instrumentalisation des musiques électroniques,” Jef Klak: Revue de critique sociale et d’expériences littéraires, 1-23.


• 2019. “Hypermasculinity in Los Angeles Gangsta Rap: An Intersectional Approach,” In Gender, Differences, Identities, and DIY Cultures, edited by Paula Guerra and Thiago Pereira Alberto, 449-455. KISMIF: An Approach to Underground Music Scenes 4. Porto: University of Porto.
  
  
• 2019. “Los Angeles ville de musiques éclectroniques? Invention du genre musical beat scene et production d’une image sociale de la ville.” Haizebegi: Revue annuelle d’anthropologie de la musique 6: 143-161.


• 2018. “La pensée médiale en composition du monde. Pour une polémologie des médias culturels de l’écoute,” In Mouvement: Cinétisme et modèles dynamiques dans la musique et les arts visuels, edited by Pierre-Albert Castanet and Lenka Stransky, 181-194. Paris: Éditions Delatour.

ESSAYS:

• 2025. “Pee Froiss - Wala Wala Bok? Africa, Hip Hop, Senegal,” Booklet for vinyl reissue, Preference Records: 1-48.


• 2024. “Kamau Daáood’s Community Archives: Documenting Black Los Angeles,” UCLA Luskin Center for History and Policy, with Robin D.G. Kelley.
  


• 2023. “The Ark and the Archive: Exploring the Legacy of the Pan Afrikan Peoples Arkestra,” 2220 Arts + Archives Exhibition Pamphlet.


• 2019. “Documenting a Landmark of L.A. Hip-Hop History: The Roadium Mixtape Documixery,” Ethnomusicology Review.


• 2018. Review of Graham St John, eds., Weekend Societies, Electronic Dance Music Festivals and Event-Cultures (London: Bloomsbury, 2017). In Volume! La revue des musiques populaires 14(2): 278-279.

• 2017. “Radio and Local Sounds,” Extra Terrestrial: Notes on the Power of Radio: 34-35.


• 2017. “Du téléphone au machines sonores,” Nonfiction.fr le quotidien des livres et des idées. 
  


• 2017. “Les studios expérimentaux du son,” Nonfiction.fr le quotidien des livres et des idées.


• 2017. “House-Techno: La fabrique des genres,” Nonfiction.fr le quotidien des livres et des idées.
  
  
• 2016. “The Thai King Passes, the Music Stops,” Ethnomusicology Review.


• 2016. “Amoeba Music, Roi du Vinyl,” Silence is Sexy.

INTERVIEWS: